Retro Babe
Amanda. Puerto Rico. Fashion.
Retro Babe
+

'Sakura Trees In Midnight Tokyo' O.K. by Masaaki Sasaki for Cake Magazine
+
xerui:

Silja Magg
+
sirrealphoto:

Model: Erica JayPhotography by Dexter R. Jones© All Rights Reserved
Instagram: sirdexrjones
sirrealphoto:

Model: Erica JayPhotography by Dexter R. Jones© All Rights Reserved
Instagram: sirdexrjones
sirrealphoto:

Model: Erica JayPhotography by Dexter R. Jones© All Rights Reserved
Instagram: sirdexrjones
sirrealphoto:

Model: Erica JayPhotography by Dexter R. Jones© All Rights Reserved
Instagram: sirdexrjones
+

Yohji Yamamoto - SSAW #5 Spring/Summer 2014
+
fohk:

Norwegian artist Anja Niemi continues to combine the self-portrait with the idea of the staged narrative. The images are like film stills or movie posters, with herself cast as all the characters. Niemi calls herself a ‘one-man band’, as she always works alone.
+

T h e  G r a n d   B u d a p e s t   H o t e l (dir. by Wes Anderson, 2014)

"You see, there are still faint glimmers of civilization left in this barbaric slaughterhouse that was once known as humanity. Indeed that’s what we provide in our own modest, humble, insignificant… oh, fuck it."

T h e  G r a n d   B u d a p e s t   H o t e l (dir. by Wes Anderson, 2014)

"You see, there are still faint glimmers of civilization left in this barbaric slaughterhouse that was once known as humanity. Indeed that’s what we provide in our own modest, humble, insignificant… oh, fuck it."

T h e  G r a n d   B u d a p e s t   H o t e l (dir. by Wes Anderson, 2014)

"You see, there are still faint glimmers of civilization left in this barbaric slaughterhouse that was once known as humanity. Indeed that’s what we provide in our own modest, humble, insignificant… oh, fuck it."

T h e  G r a n d   B u d a p e s t   H o t e l (dir. by Wes Anderson, 2014)

"You see, there are still faint glimmers of civilization left in this barbaric slaughterhouse that was once known as humanity. Indeed that’s what we provide in our own modest, humble, insignificant… oh, fuck it."

T h e  G r a n d   B u d a p e s t   H o t e l (dir. by Wes Anderson, 2014)

"You see, there are still faint glimmers of civilization left in this barbaric slaughterhouse that was once known as humanity. Indeed that’s what we provide in our own modest, humble, insignificant… oh, fuck it."

T h e  G r a n d   B u d a p e s t   H o t e l (dir. by Wes Anderson, 2014)

"You see, there are still faint glimmers of civilization left in this barbaric slaughterhouse that was once known as humanity. Indeed that’s what we provide in our own modest, humble, insignificant… oh, fuck it."

T h e  G r a n d   B u d a p e s t   H o t e l (dir. by Wes Anderson, 2014)

"You see, there are still faint glimmers of civilization left in this barbaric slaughterhouse that was once known as humanity. Indeed that’s what we provide in our own modest, humble, insignificant… oh, fuck it."

T h e  G r a n d   B u d a p e s t   H o t e l (dir. by Wes Anderson, 2014)

"You see, there are still faint glimmers of civilization left in this barbaric slaughterhouse that was once known as humanity. Indeed that’s what we provide in our own modest, humble, insignificant… oh, fuck it."

T h e  G r a n d   B u d a p e s t   H o t e l (dir. by Wes Anderson, 2014)

"You see, there are still faint glimmers of civilization left in this barbaric slaughterhouse that was once known as humanity. Indeed that’s what we provide in our own modest, humble, insignificant… oh, fuck it."

T h e  G r a n d   B u d a p e s t   H o t e l (dir. by Wes Anderson, 2014)

"You see, there are still faint glimmers of civilization left in this barbaric slaughterhouse that was once known as humanity. Indeed that’s what we provide in our own modest, humble, insignificant… oh, fuck it."
+
+
+
+